MoP 23: Frontage

FrontageIn the early morningthey are close-eyed, close-mouthedinternal industry maskedby external stillnessSometimes yesterday can be seensometimes today idles impatientlysometimes expression bursts outrunning late for schoollate for trainready for workNext lap, calm...

MoP 21: Skeleton

SkeletonIt is a hard-edged morningwith a bone-grey bone dry-skythe air radiates dangerthe dog pacesdisturbed by what we cannot seeor hearin the uncertaintyof the stripped-bare daybones rattleand we wait for the body of the storm

MoP 20: Delicious love

Delicious loveThe shop window enticesa layered mountain of lamingtons,fresh-made and lumpyoozing with strawberry jamorcuddle-close shelvesof long-furred, brownish heart-carrying, baby, mama and papa Valentine bearsNote: I’m not convinced this makes sense without...

MoP 19: Sashiko

Sashikosah-shee-koa form of Japanese folk embroiderya basic running stitch in curves or straight lineswhite thread on blue fabrictraditionally used to repair fishermen’s pantsor quilt fabric layers togetherSashiko means ‘little stabs’for the even stitcheseach stitch...

MoP 18: Street Music

Street Musicsong floats from corner to cornerpast a pug and a pekea dalmation, a beagleescalates at a tabby, quiets at a blackreaches a crescendo at Number 23where three hens and a roostertake a break from snail watchto watch the walkers by